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Event Date: Wednesday, August 24, 2005
Start Time: 6:00 PM *
Band: The Allman Brothers Band
Notes: moe. opens
Venue: Tommy Hilfiger at Jones Beach Theater     Venue Web Site
Location: Wantagh, New York Map of Venue Map

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OrderSong or Setlist Comment
1. Revival
2. Don't Keep Me Wonderin'
3. Midnight Rider
4. Good Morning Little School Girl
5. Wasted Words
6. Desdemona
7. Egypt
8. Soulshine
9. Dreams
10. Rocking Horse
11. Jessica
Encore
12. Southbound
 
GalleryDescription
FansJones Beach "J" crew
FansJones Beach "J" crew
 

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Was at this show. They were rockin, like always! Would love to find it. Also, if anyone has the moe. show, let me know. That last song, Opium, was reeeediculous! IM me at Mooj16 or e-mail me at moomjian@hartford.edu. PEEEAAAACE!
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Need a copy of this show. ASAP. Sick sick show! If you can help me, IM me at Mooj16 (AIM) or toss me an e-mail at moomjian@hartford.edu. Peace frogs!
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1.Peach at the Beach: 8-24-05 by Josh Chasin (josh chasin)

*Show times are approximate or outright guesses, especially for historical shows. Please check with the venue for future shows so you arrive on time!
Comments and Reviews for this Event | Log-in or register a new user account | 5 Comments
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Re: Allman Brothers Band: Wantagh, NY(Score: 1)
by Rael on Aug 25, 2005 - 12:56 AM
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Another great summer night at the beach with the ABB. Smiles all around (Even Derek!) Stellar guitar playing all night and a damn good drum spotlight.

Revival
Don't Keep Me Wonderin'
Midnight Rider
Good Morning Little School Girl
Wasted Words
Desdemona
Egypt
Soulshine
Dreams
Rocking Horse
Drums/Bass
Jessica

E: Southbound




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Re: Allman Brothers Band: Wantagh, NY(Score: 1)
by xandango3265 on Aug 28, 2005 - 05:54 PM
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was a great show!! warren rocked, was crazy derek took over warrens solo when he broke a string, was insane.


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Peach at the Beach (Score: 1)
by jchasin (jchasin@nyc.rr.com)
on Aug 30, 2005 - 03:47 PM
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Revival
Don’t Keep Me Wonderin’
Midnight Rider
Good Morning Little Schoolgirl
Wasted Words
Desdemona
Egypt
Soulshine
Dreams
Rocking Horse >
drums >
bass >
Jessica
e: Southbound

The traveling caravan of rock and soul that is the Allman Brothers Band rolled into Jones Beach last Wednesday nigh for their annual summer appearance. It was a lovely evening, warm and breezy on the water. After a fine set by Moe.—who were joined by Warren and Derek for their last, extended number—the boys get down to business.

Warren starts the chording to “Revival,” an invocation, before the two guitarists go off into the twin licks. He and Derek have switched places on stage—Derek now standing center stage, Warren to your left, by Gregg—and the impact this has on the music is subtle but distinct. Derek plays sharp accents between Gregg’s vocals on the verse, then he plays fat, cascading 3-note lines against the harmony vocals. Derek hangs a long, sinewy note that leads into a lengthy outro solo section, and then he tears it up, spending a good long time slashing across the fret board. Then Warren cuts in and plays a graceful, playful and more rounded, melodic gallop of a solo, loping but intense. Then back into the signature rhythmic riff, then the drum section steps up and brings the song home underneath the “people can you feel it” reprise. Oteil tosses off a line, then “Love is everywhere;” then a Gregg organ burst and “Love is everywhere;” then Derek takes one more quick stab before the close. “Revival” has become a new song, fraught with guitar heroics. It clocks in at almost 8 minutes.

Then right into the bent note that heralds “Don’t Keep Me Wondering.” Warren takes the first solo; Oteil thunders from over on the right. Soon he takes off on a little funk walk, as Derek is crying over the top. “Midnight Rider” follows, with Derek ringing true on the bridge.

It may just be a visual trick owing to his new stage set-up, but Derek seems to be in the middle of everything tonight.

Warren steps forward for a dark, snaky “Good Morning Little Schoolgirl.” Oteil rocks steady beneath Warren’s beautifully restrained vocals; Butch is insistent. Warren takes a molten, round blues solo; Derek and Oteil are on the riff underneath, and Warren seems to be pulling them along. Then back into the vocal section. Derek hints at his solo even before Warren finishes the verse, once it does end, though, he eases in slow, letting the riff go around once, twice before he announces himself. Soon Derek is playing a searing dissonant lead, and the band falls out of the core riff, tumbling headlong forward with him. They give in to a free form sort of controlled chaos, until the drum section issues a signal and the band falls right back into place, right in time for Warren’s vocal reprise. Warren finishes the song, the band evaporates to almost nothing, and Derek does his barely-there dance on top. The 2 minutes after the song ends have become a highlight of the song. Soon Derek and Warren are trading trilling call and response licks, both with the gentlest, most restrained touch. The band is barely there. Time bends and slows as they finally… roll… to… a… stop.

Oteil snaps out the riff like the rubber band man, and it is “Wasted Words.” Derek plays short leads on the verse, and walks over toward Oteil. One of the changes in the band chemistry that results from the change in position is that Derek’s primary onstage foil seems to have moved from Gregg to Oteil. Derek and Warren start off the first solo break in unison, then veer off in separate but parallel directions. Gregg’s vocals are strong and clear; his organ drives the song. Derek locks in with Oteil and the two form a rhythm section with the drummers, as Warren solos over a bed of Gregg organ. Warren hits peaks; the band swirls in colors all around him. Then Derek takes off, playing long ice ropes over the

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Happy Burday(Score: 1)
by Holt on Aug 24, 2006 - 07:48 AM
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Happy Burday to Oteil!


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