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Event Date: Thursday, March 22, 2007
Start Time: 8:00 PM *
Band: The Allman Brothers Band
Venue: Beacon Theatre
Location: New York, New York Weather ForecastWeather Map of Venue Map
Parking Lots Open:3:00 PM


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OrderSong or Setlist Comment
1. In A Silent Way
2. Don't Want You No More >
3. Desdemona
4. Every Hungry Woman
5. Woman Across The River
6. Come and Go Blues
7. Good Morning Little School Girl
8. Wasted Words
9. Done Somebody Wrong
Set II
10. Melissa
11. No One To Run With
12. Rocking Horse
13. Statesboro Blues
14. In Memory of Elizabeth Reed
Encore
15. Revival
 

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blazemtt10
CDRADAUDMike_K_Brothers_Fan
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MicroTrack at 16/44 from the balcony
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Want Recordings
mattval
Would anyone be willing to do a B & P for this show? Thanks!
giggles22479
I would LOVE a recording of Thursday's show!! I'm still flying from it. Hit me at rjf79@hotmail.com. Thanks!
dowen
Am dying to get a recording of this show - can trade dpowen45@yahoo.com THX!
CDRbop9
can trade. tks...
CDRtjwilkes
Was at this show. Unbelieveable! Don't have much to trade, but will provide blanks and postage. tjwilkes@gmail.com
CDRgalenfarris
Begging for this and all shows from the Beacon, I have lots of great stuff to trade!
CDRnpjonathan
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My list : www.tapetrader.com/stu2816
CDRAAUDbl355
I would like to find a copy in 24bit or 16bit. If you have a copy send me a email at bl6216@yahoo.com.
CDRAAUDguitarldh19
I'll pay for a recording
CDRAsoccervin
will pay money for this concert's recording!!$$!!
CDRA+DSBDsteve1919
Copy very much appreciated. Thanx
CDRA+AUDtbone65
looking for fob or front lodge recording.
CDRA+Gonzo69
CDRUngradedMPDawkins
Looking for the ABB verison played on Jam ON Sirius 17
CDRUngradedadamk55
I would really appriciate a copy of this show... i have plenty of shows to trade, including last year shows from the beacon
1.3/22/07: Allmans Rock Out In a Silent Way (Chasin) (josh chasin)

*Show times are approximate or outright guesses, especially for historical shows. Please check with the venue for future shows so you arrive on time!
Comments and Reviews for this Event | Log-in or register a new user account | 2 Comments
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Re: The Allman Brothers Band: New York, NY (Score: 1)
by jchasin (jchasin@nyc.rr.com)
on Mar 23, 2007 - 11:17 AM
(User information | Send a message) http://
In a Silent Way
Don't Want You No More ->
Desdemona
Every Hungry Woman
Woman Across the River
Come & Go Blues
Good Morning Little School Girl
Wasted Words
intro -> Done Somebody Wrong

Melissa
No One Left to Run With -> killer jam
Rocking Horse
Statesboro Blues
IMOER -> Jabuma -> bass -> IMOER
e: Revival

The band takes the stage, Oteil chimes, Derek joins in, a melancholy, jazzy bebop jam that is clearly an overture, swelling in the way “High Falls” does as an opener but with a vaguely Miles Davis feel… then, clearly, it is “In a Silent Way.” Derek plays lines that are evocative of the Beatles’ “Within You Without You.” A Jaimoe jaunt, an Oteil vamp, Derek spats out sparse lines, the band finds a bop groove, Derek doing his play-the-guitar-like-a-horn thing over the top, all peaceful and Zen bebop. Warren pushes the piece to an almost-“Birdland” space (Oteil observes between sets, “Zawinul wrote both songs.”) For those of us that pay attention, it is a sublime opening, but not surprisingly the magic is lost on much of the crowd.

The band pulls up out of “Silent Way” and hits a hard “Don’t Want You No More.” Gregg’s playing is crisp; Derek plays some slide, then Warren steps forward, then hard on the outro riff… except that the blues note that pierces through is not the one you expect; no, it is the introduction to “Desdemona.” That piercing intro note seems sour at first, playing against the expectation your ears have for “Not My Cross,” but then it seems just exactly right. Warren plays some groovy, wavy guitar on his solo, then amps up the urgency to 11 before segueing into the transitional lick. Ovation. Derek takes at least four breaths before entering, plays bendy, twisty notes against the melody, then finds his way to the edge of madness before a sweet pull-up back into the verse.

The front line is like a locomotive on “Every Hungry Woman.” Derek and Warren trade furious licks and rhythms; as one tosses off a lead, the other seamlessly picks up the rhythm chording. It is like they are juggling, slinging lead and rhythm back and forth at daredevil pace without missing a beat; it is musical acrobatics. Then they fall onto the harmony licks, the band tumbles head over heels with forward momentum to the close.

Derek’s early solo in “Woman Across the River” pushes against the blues from the sour side, some nice work. Then on the play-out, suddenly the guitars are like two runaway trains and you snap to attention… stinging playing… the band jerks forward, half-a-step ahead of the song in fiery off-kilter drunken glory… all around you, moneymakers are shaking… then bam! on the close. The final section pulls the tune into the stratosphere.

A nice “Come and Go Blues” is up next, followed by the dark and snaky “Good Morning Little Schoolgirl” (disclaimer: your humble correspondent is a total sucker for the ABB dipping into the Howlin’ Wolf song book.) Derek and Warren lay out a little fire and ice (you can guess which was which.) Warren skronks out a long bluesy bubbling solo that pulls you along like you’re water skiing in mud, then back into the vocals. As Derek takes his solo the band falls away; his lines are subtle comments. Then he drives the band hard into a frenetic waltz time, Oteil can’t be contained, the wheels are coming off—then snap! Back into the baby elephant time of the verse. Beautiful.

Gregg comes in early on the vocals for “Wasted Words,” then a strong performance. On the extended front line play-out, the fingers on Derek’s right hand are a blur. Out of “Wasted Words” the band plays an extended blues jam on one chord, Derek playing all easy breezy over the top, then it turns over into a hyper-jaunty “Done Somebody Wrong,” featuring strong vocals by Gregg. As lights come up, Oteil and Butch huddle behind the drum riser, and I hear Butch saying, “I think we’re on to something.” I don’t know what he

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