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Event Date: Saturday, March 22, 2014
Start Time: 6:00 PM *
Band: The Allman Brothers Band
Venue: Beacon Theatre
Location: New York, New York Weather ForecastWeather Map of Venue Map

Other Information:
An Evening with the Allman Brothers Band

Exclusive Packages Available!

Front Row Package:
Front Row ticket
Access to pre-show hospitality
Exclusive merchandise item
Collectible laminate

Gold Hot Ticket Package:
Premium Price Level 1 Ticket
Access to pre-show hospitality
Exclusive merchandise item
Collectible laminate

Silver Hot Ticket Package:
Premium Price Level 2 Ticket
Exclusive merchandise item
Collectible laminate


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OrderSong or Setlist Comment
1. Done Somebody Wrong
with Jimmy Hall, harp
2. Come and Go Blues
3. End Of The Line
4. Dusk Till Dawn
with Kofi Burbridge, flute; Jay Collins, sax
5. Can't Lose What You Never Had
with Jimmy Hall, vocal & harp
6. True Gravity
7. All My Friends
with Susan Tedeschi, guitar & vocals; Jimmy Hall, harp
8. She Caught The Katy
with Jimmy Hall, harp & vocals
9. Revival
with Jimmy Hall, harp & vocals; Susan Tedeschi, vocals
10. You Don't Love Me
with Jiimmy Hall, vocals & harp
11. Ain't Wastin' Time No More
with Jr. Mack, vocals & guitar
12. Black Hearted Woman
13. Feel So Bad
with Susan Tedeschi, guitar & vocal
14. Dreams
with Kofi Burbridge, flute
15. Les Brers In A Minor >
16. Why Does Love Got To Be So Sad? >
17. Les Brers In A Minor
with Susan Tedeschi, vocal; Jay Collins, sax; Jimmy Hall,sax; Jimmy Vivino, guitar
Encore
18. Southbound
with Jimmy Hall, harp; Jr. Mack, guitar & vocal; Jay Collins, sax; Jimmy Vivino, guitar; Susan T. vox, Rob Barraco, piano
Gregg Allman was sick and did not appear.
Rob Barraco & Kofi Burbridge shared keyboard duties (piano & B3) throughout the show.
 

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*Show times are approximate or outright guesses, especially for historical shows. Please check with the venue for future shows so you arrive on time!
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Re: The Allman Brothers Band: New York, NY (Score: 1)
by jchasin (josh.chasin@verizon.net)
on Mar 27, 2014 - 10:15 AM
(User information | Send a message) http://apennysworth.blogspot.com
Last night's show was lush and lux, but tonight's was the shizzle. With Kofi Burbridge and Rob Barraco again sitting in on keys in Gregg's place, and Warren and a series of guest stars covering the vocals, this was a long, generous, big in-yo'-face affair.

Tonight there are two extra mics set up on the front line, and as the band walks on, there's a harp player over by Oteil, who of course turns out to be Jimmy Hall. The harp is prominent in the mix as the band makes the tuning up sounds that morph into the opening jam; Hall gently ushers in the show with a greasy harp vamp, delicious, that becomes a Warren/harp conversation, just riding the shuffle groove, and then turning over into "Done Somebody Wrong." Derek's slide licks pave the way for Warren's ferocious vocals. Hall takes a big harp solo in the middle, Warren takes a solo, leading back into his vocals, Derek tosses slide licks over the beat. Can I call the opening song a highlight?

Quickly the opening keyboard lines to "Come and Go Blues," again Warren singing, and Barraco playing some appropriately wistful keys. With Warren singing, it actually becomes a different song. Both Gregg's and Warren's vocal persona combine defiance with world-weariness; but Gregg leans more toward world-weary, and Warren toward defiant... Derek solos, Warren gets all up in him, feeling every line, gives back a little, a little more, and soon it's a twisted pair of soaring screaming bliss.

"Oh my," it says in my notebook. An auspicious beginning.

Warren's big, manly vocals on "End of the Line" give the song a somewhat different spin; the tune features more Derek/Warren crunchy grind. Warren is marching through the Gregg songbook like Sherman marching through Georgia. On "Dusk Till Dawn" Barraco offers a stylish solo, echoed by Kofi on flute, and followed by a Derek sunburst. Jay Collins on sax sounds like he's hanging out of a Bourbon Street window at 2AM; Warren goes way down to the gut to pull out his solo. Derek and Kofi play together; then Derek walks back and lstens to his white hot solo standing right in front of his amp.

Jimmy Hall comes back for "Can't Lose What You Never Had," taking the lead vocals. Warren turns full body to him, and let me tell you, when Warren churns that hard rhythm and makes that face at you, brother, you'd better blow. So Jimmy blows.

The keyboard players switch places for "True Gravity;" the theme licks are fresh and full. The drums scatter like a flock of birds, Oteil rides with the flock, Derek paints with majesty across the sky. Oteil reflects a mirror image back at Derek-- going low where Derek goes high-- Warren falls in, then they stop and nail the theme again. Susan Tedeschi joins for Gregg's solo "All My Friends"-- at which point I'm reminded of the Gregg tribute show in Atlanta earlier in the year; maybe the band is paying tribute to him tonight as well, pulling out a couple of songs tonight that Gregg has written or sung, for the first time of the run. Susan handles the lead vocals, and Jimmy answers beautifully on harp; Derek plays a sweet and graceful solo.

Jimmy launches a harmonica hootenanny that becomes the shuffle of "She Caught the Katy," the old Taj Mahal blues that was a highlight on the last night of the 2012 run, another night when Gregg was out and Jimmy helped fill in. There's a killer, text book Chicago blues harp solo (somewhere Little Walter is smiling). Derek rides the glass all the way up to the very top of the neck. Then Jimmy and Susan augment the band for "Revival," with Warren, then Jimmy, then Susan each singing a verse. Kofi goes off on a pretty and happy solo, then Derek and the drums take a run, Warren offers a nourishing dose of guitar, and of course everyone is singing the "People can you feel it? Love is everywhere!"refrain, until the Beacon has become a church. It's like an all-you-can-eat buffet for your heart.

The first set, it should now be clear, was epic.

"You Don't Lov

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